Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Stefano di Giovanni Sassetta
Viirgin and child Enthroned with six Angels (mk05)

ID: 20000

Stefano di Giovanni Sassetta Viirgin and child Enthroned with six Angels (mk05)
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Stefano di Giovanni Sassetta Viirgin and child Enthroned with six Angels (mk05)


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Stefano di Giovanni Sassetta

1423-1451 Italian Stefano di Giovanni Sassetta Gallery Stefano di Giovanni, known as il Sassetta, (Siena 1392 ?C 1450 or 1451) was an Italian painter. He was born in Siena, although there is also an hypothesis that he was born in Cortona. However, the first historical record of him was in Siena in 1423. Di Giovanni was probably the apprentice of Paolo di Giovanni Fei although it is also thought that he may have studied under Benedetto di Bindo. He painted in the semi-archaic Sienese School style of painting. Francesco di Giorgio e di Lorenzo, better known as Vecchietta, is said to have been his apprentice.  Related Paintings of Stefano di Giovanni Sassetta :. | Allegory of Arts asta | Aleksey Pisemsky | The Last Communion of St jerome (mk36) | Nature morte au gibier | Miss Ginny and Polly |
Related Artists:
Alexei Venetsianov
1780 - 1847
Jacopo Pontormo
Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
Anselm van Hulle
painted Anna Margareta Wrangel, countess of Salmis in 1648






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